Ms. Monáe sets this video in a psych ward named 'The Palace of the Dogs', a place she claims to have done 'research'. Amidst the fancy footwork, we are shown ghosts (visual hallucinations), and a psych nurse rolling out meds, who eventually
breaks loose (only in a corner), to show her moves. Is this simply feel-good
commentary on the dehumanization of a psychiatric facility, or part of a larger
project by Monáe?
Yes I am
African American, yes I am part android and all these different things, but at
the end of the day love is universal and music is universal. That universal
language we often speak. There is no race involved in that and there's no
religious belief in that. That's something we can embody together. (TheVine)
What is the distinction between a successful artist
who believes she is part android and can time travel, with a person locked in a
psych ward who believes those same things? How much of Monáe's act is for
secondary gain (publicity), and how much is her authentic self?
Bits of this interview resemble "word
salad", or is that scat? Or android language? Is classifying
the form of communication even relevant? Monáe frequently talks about tapping
into feelings through her music that the listener was not aware of. "I
want to create music that will be their choice of drug whenever they feel
oppressed or depressed" (MTVHive). Perhaps Monáe has been able to escape
being 'pressed by not only artistic genius, but by sublimating those qualities
which could have otherwise been perceived as insane.
In embracing her android-ness, she softens what
could be considered both inflammatory social and cultural critique, not to mention
a sign of illness. What could be considered a symptom, is
transformed to free the artist and hopefully her listener as well. This leads
to a larger question, who is Monáe really trying to reach? A poor
patient, locked in the ward, or the nurse, administering medications and
carrying out other "therapeutic interventions"? Who does Monáe believe
really needs freeing?
Here she is talking about Fritz Lang's Metropolis as an inspiration for her music:
There was just something about the imagery that led me to want
to create a whole album around the concept of the haves and the have-nots, and
how we can get along. And I think the most important thing that I saw was the
quote at the beginning, 'The mediator between head and hands must be the
heart.' (Colorado Springs Independent)
By embracing and twisting our own pathologies/gifts, for popular
consumption, can we similarly free both ourselves, and our
listeners/patients/nurses? To these ends, would the psychiatric interview be better off starting not with, "How are you feeling?" but rather,
"Human, or Android?"
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